Книги онлайн и без регистрации » Разная литература » Голос техники. Переход советского кино к звуку. 1928–1935 - Лиля Кагановская

Голос техники. Переход советского кино к звуку. 1928–1935 - Лиля Кагановская

Шрифт:

-
+

Интервал:

-
+

Закладка:

Сделать
1 ... 64 65 66 67 68 69 70 71 72 ... 81
Перейти на страницу:
Barsam. New York: E. P Dutton & Co, 1976. P. 19–30.

Hass 1998 – Hass D. Leningrad’s Modernists: Studies in Composition and Musical Thought, 1917–1932. New York: Peter Lang, 1998.

Heath 1982 – Heath S. Questions of Cinema. Bloomington: Indiana University Press, 1982.

Heath 1985 – Heath S. Questions of Cinema. Bloomington: Indiana University Press, 1985.

Hicks 2007 – Hicks J. Dziga Vertov: Defining Documentary Film. London: I. B. Taurus, 2007.

Hicks 2014 – Hicks J. Challenging the Voice of God in World War II-Era Soviet Documentaries // Sound, Speech, Music in Soviet and Post-Soviet Cinema / Ed. by L. Kaganovsky, M. Salazkina. Bloomington: Indiana University Press, 2014. P. 129–144.

Hubbert 2008 – Hubbert J. Eisenstein’s Theory of Film Music Revisited: Silent and Early Sound Antecedents // Composing for the Screen in Germany and the USSR. Bloomington: Indiana University Press, 2008. С/125-147.

Izvolov 2014 – Izvolov N. From the History of Graphic Sound in the Soviet Union; or, Media without a Medium // Sound, Speech, Music in Soviet and Post-Soviet Cinema / Ed. by L. Kaganovsky, M. Salazkina. Bloomington: Indiana University Press, 2014. P. 21–37.

Izvolov 2016 – Izvolov N. Dziga Vertov and Aleksandr Rodchenko: The Visible Word // Studies in Russian and Soviet Cinema. 2016. Vol. 10. № 1. P. 2–14

Jacobs 2015 – Jacobs L. Film Rhythm After Sound: Technology, Music, and Performance. Berkeley: University of California Press, 2015.

James 1986 – James R. S. Avant-Garde Sound-on-Film Techniques and Their Relationship to Electro-Acoustic Music // The Musical Quarterly. 1986. Vol. 72. № l.P. 74–89.

Kaganovsky 2006 – Kaganovsky L. Forging Soviet Masculinity in Nikolai Ekk’s «The Road to Life» // Gender and National Identity in Twentieth-Century Russian Culture / Ed. by H. Goscilo, A. Lanoux. Dekalb: Northern Illinois Press, 2006. P. 146–175.

Kalinak 2010 – Kalinak K. Film Music: A Very Short Introduction. Oxford: Oxford University Press, 2010.

Kavina 2012 – Kavina L. Therminvox // Electrified Voices: Medical, Socio-Historical and Cultural Aspects of Voice Transfer. Gottingen: Vandenhoeck & Ruprecht, 2012. P. 187–200.

Kenez 1992 – Kenez P. Cinema & Soviet Society 1917–1953. Cambridge, England: Cambridge University Press, 1992.

Kenez 2001 – Kenez P. Cinema and Soviet Society: From the Revolution to the Death of Stalin. London: I. B. Tauris, 2001.

Kepley 1986 – Kepley Jr. V. In the Service of the State: The Cinema of Alexander Dovzhenko. Madison: The University of Wisconsin Press, 1986.

Kepley 1996 – Kepley Jr. V. The First «Perestroika»: Soviet Cinema under the First Five-Year Plan // Cinema Journal. 1996. Vol. 35. № 4. P. 31–53.

Kittier 1999 – Kittier F. Gramophone, Film, Typewriter. Stanford: Stanford University Press, 1999.

Kujundzic 1997 – Kujundzic D. The Returns of History: Russian Nietzs-cheans After Modernity. Albany: SUNY Press, 1997.

Kujundzic 2000 – Kujundzic D. Dziga Vertov or the Return of the Sight (Five Intervals) // Apparatur und Rhapsodie: Zu den Filmen des Dziga Vertov / Hrsg. von Natascha Drubek-Meyer und Jurij Murasov. Frankfurt am Main: Peter Lang, 2000. S. 171–199.

Lastra 2000 – Lastra J. Sound Technology and the American Cinema: Perception, Representation, Modernity. New York: Columbia University Press, 2000.

Learning 1980 – Learning B. Grigori Kozintsev. Boston: Twayne Publishers, 1980.

Le Foil 2012 – Le Foil C. A la recherche de I’introuvable film juif-bielorusse? Politique des nationalites et cinema en BSSR dans les annees 1920 et 1930 //Kinojudaica: Les representations des Juifs dans le cinema de Russie et d’Union sovietique des annees 1910 aux annees 1980 / Ed. par V. Pozner, N. Laurent. La Cinematheque de Toulouse: Nouveau Monde Editions, 2012. P. 79–109.

Leyda 1960 – Leyda J. Kino: A History of Russian and Soviet Film. Princeton: Princeton University Press, 1960.

Liber 2002 – Liber G. O. Alexander Dovzhenko: A Life in Soviet Film. London: British Film Institute, 2002.

Lotysz 2006 – Lotysz S. Contributions of Polish Jews: Joseph Tykocinski-Tykociner (1877–1969), Pioneer of Sound on Film // AAPJS Gazeta. 2006. Vol. 13. № 3.

Lovell 2011 – Lovell S. How Russia Learned to Listen: Radio and the Making of Soviet Culture // Kritika: Explorations in Russian and Eurasian History. 2011. Vol. 12. № 3. P. 591–615.

Lovell 2013 – Lovell S. Broadcasting Bolshevik: The Radio Voice of Soviet Culture, 1920s-1950s // Journal of Contemporary History. 2013. Vol. 48. № 1.P. 78–97.

Lovell 2015 – Lovell S. Russia in the Microphone Age: A History of Soviet Radio, 1919–1970. Oxford: Oxford University Press, 2015.

MacKay 2005 – MacKay J. Disorganized Noise: «Enthusiasm» and the Ear of the Collective // KinoKultura. 2005. № 7. January. URL: http://www. kinokultura.com/articles/jan05-mackay.html (дата обращения: 18.01.2021).

MacKay 2006 – MacKay J. Allegory and Accommodation: Vertov s Three Songs of Lenin (1934) as a Stalinist Film // Film History. 2006. Vol. 18. № 4. P. 376–391.

MacKay 2007 – MacKay J. Film Energy: Process and Metanarrative in Dziga Vertovs The Eleventh Year (1928) // October. 2007. № 121. Summer. P. 47–78.

Malitsky 2013 – Malitsky J. Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations. Bloomington: Indiana University Press, 2013.

Malitsky 2020 – Malitsky J. The Movement of Energy. Unpubl KShE and the Movement of Energy. Oxford Handbook of Communist Visual Cultures, 2020.

Marks 2000 – Marks L. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham: Duke University Press, 2000.

Massumi 2002 – Massumi B. Parables for the Virtual: Movement, Affect, Sensation. Durham: Duke University Press, 2002.

Michelson 2006 – Michelson A. The Kinetic Icon in the Work of Mourning: Prolegomena to the Analysis of a Textual System // October. 2006. № 52. Spring. P. 16–39.

Morton 2006 – Morton D. Sound Recording: The Life Story of a Technology. Baltimore: Johns Hopkins University Press, 2006.

Mulvey 1975 – Mulvey L. Visual Pleasure and Narrative Cinema // Screen. 1975. Vol. 16. № 3. P. 6–18.

Mulvey 1989 – Mulvey L. Visual Pleasure and Narrative Cinema //Mulvey L. Visual and Other Pleasures. Bloomington: Indiana University Press, 1989. C. 14–28.

Mulvey 2006 – Mulvey L. Death 24x a Second: Stillness and the Moving Image. London: Reaktion Books, 2006.

Murav 2011 – Murav H. Music from a Speeding Train: Jewish Literature in Post-Revolution Russia. Stanford: Stanford University Press, 2011.

Nichols 1991 – Nichols B. Representing Reality: Issues and Concepts

1 ... 64 65 66 67 68 69 70 71 72 ... 81
Перейти на страницу:

Комментарии
Минимальная длина комментария - 20 знаков. В коментария нецензурная лексика и оскорбления ЗАПРЕЩЕНЫ! Уважайте себя и других!
Комментариев еще нет. Хотите быть первым?