Женщины Девятой улицы. Том 2 - Мэри Габриэль

Sylvester, David. Interviews with American Artists. London: Pimlico, 2002.

Sylvester, David, Richard Schiff, and Marla Prather. Willem de Kooning Paintings. New Haven, CT: Yale University Press, 1996.

“A Symposium: The State of American Art.” Magazine of Art 42, no. 3 (March 1949).

Szarkowski, John, and John Elderfield, eds. “Revisiting the Revisionists: The Modern, Its Critics, and the Cold War.” The Museum of Modern Art at Mid-Century at Home and Abroad. New York: The Museum of Modern Art, 1994.

Tabak, May Natalie. But Not for Love. New York: Horizon Press, 1960.

Taylor, John. “An Interview with Elaine de Kooning in Athens.” Contemporary Art/Southeast 1, no. 1 (April — May 1977).

Terkel, Studs. Hard Times: An Oral History of the Great Depression. New York: The New Press, 1986.

Tracy, Sara W. Alcoholism in America: From Reconstruction to Prohibition. Baltimore, MD: Johns Hopkins University Press, 2005.

Trilling, Lionel. The Liberal Imagination: Essays on Literature and Society. New York: New York Review of Books, 2008.

Trilling, Lionel. “Sex and Science: The Kinsey Report.” Partisan Review 15, no. 4 (April 1948).

Tuchman, Phyllis. “Landscape of Color,” Vogue (February 1985).

Tucker, Marcia. Joan Mitchell. New York: The Whitney Museum of American Art, 1974.

“28 Art Awards Listed in Paris; Five Frenchmen, Three from U.S. Among Winners at First Biennial Show.” New York Times, Wednesday, October 7, 1959.

Valliere, James T. Lee Krasner and Jackson Pollock’s Legacy. New York: Stony Brook Foundation, 2009.

Van Horne, Janice. A Complicated Marriage: My Life with Clement Greenberg. Berkeley, CA: Counterpoint, 2012.

Varnadoe, Kirk, with Pepe Karmel. Jackson Pollock. New York: Museum of Modern Art, 1998.

“The Vocal Girls.” Time 75, no. 18 (May 2, 1960).

Wagner, Anne Middleton. Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O’Keeffe. Berkeley: University of California Press, 1996.

Wakefield, Dan. New York in the Fifties. New York: Houghton Mifflin, 1992.

Wald, Allen M. American Night: The Literary Left in the Era of the Cold War. Chapel Hill: University of North Carolina Press, 2014.

Wallach, Amei. “Lee Krasner’s Triumph.” Vogue (November 1983).

Wallach, Amei. “Living Color.” New York Newsday, June 5, 1989.

Wallach, Amei. “Retrospective of a Risk-Taker, Works on Paper.” Newsday, February 24, 1985.

Ward, John L. American Realist Painting 1945–1980. Ann Arbor, MI: UMI Research Press, 1990.

Weibel, Kathryn. Mirror, Mirror: Images of Women Reflected in Popular Culture. New York: Anchor Books, 1977.

Wetzsteon, Ross. Republic of Dreams, Greenwich Village: The American Bohemia, 1910–1960. New York: Simon & Schuster, 2002.

White, E. B. Here Is New York. New York: The Little Bookroom, 1999.

Whyte, Lynn, Jr. Educating Our Daughters: A Challenge to the Colleges. New York: Harper and Bros., 1950.

Whyte, William, Jr. “The Wife Problem.” Life 32, no. 1 (January 2, 1952).

Whyte, William H. The Organization Man. New York: Penguin Books, 1961.

Wilkin, Karen. David Smith. New York: Abbeville Press, 1984.

Wilkin, Karen. “Frankenthaler and Her Critics.” The New Criterion 8, no. 2 (October 1989).

Wilkin, Karen. “Frankenthaler at the Guggenheim.” The New Criterion 16, no. 7 (March 1998).

Wilkin, Karen. Frankenthaler Works on Paper 1949–1984. New York: George Braziller in association with the International Exhibitions Foundation, 1984.

Willard, Charlotte. “Women of American Art.” Look, September 27, 1960.

Williams, Juanita H. “Woman: Myth and Stereotype.” International Journal of Women’s Studies 1, no. 3 (May — June 1978).

Williams, Tennesse. In the Bar of the Tokyo Hotel and Other Plays. Vol. 7 of The Theatre of Tennessee Williams. New York: New Directions, 1950.

Wittner, Lawrence S. Rebels Against War: The American Peace Movement, 1941–1960. New York: Columbia University Press, 1969.

Wolf, Ben. “Portrait of a President: President John F. Kennedy, an Exhibition of Portraits and Sketches by Elaine de Kooning.” Kansas City Art Institute and School of Design, 1965.

Wolfe, Tom. The Painted Word. New York: Picador, 1975.

Вулф Вирджиния. Своя комната. London: Penguin, 1928.

Вулф Вирджиния. На маяк, Hertfordshire, UK: Wordsworth Classics, 1994.

Wright, Morris. “The Violent Land — Some Observations on the Faulkner Country.” Magazine of Art 45, no. 3 (March 1952).

Wydenbruck, Nora. Rilke, Man and Poet: A Biographical Study. London: John Lehmann, 1949.

Yard, Sally. “The Angel and the Demoiselle: Willem de Kooning’s ‘Black Friday.’ ” Record of the Art Museum, Princeton University 50, no. 1 (1991).

“The Year’s Best 1955.” ArtNews 54, no. 9 (January 1956).

Young, Edward. Edward Young’s Conjectures on Original Composition. London: Forgotten Books, 2012.

Zeffirelli, Franco. “Turned-On Architecture: De Kooning and Friends.” Horizon, June 1981.

Zinn, Howard. A People’s History of the United States. New York: Harper Perennial Modern Classics, 2005.

Zucker, Steven Ezekiel. “Art in Dark Times: Abstract Expressionism, Hannah Arendt and the ‘Natality’ of Freedom.” PhD dissertation, City University of New York, 1997.

Ранее опубликованные материалы

ArtNews: Excerpts from reviews and articles published with permission of ArtNews, Copyright © Art Media Holdings, LIC.

City Lights: Frank O’Hara, excerpts from “A Step Away from Them” and “Adieu to Norman, Bonjour to Joan and Jean-Paul” from LUNCH POEMS. © 1954 by Frank O’Hara. Reprinted with the permission of The Permissions Company, Inc., on behalf of CityLights Books, citylights.com, and Maureen Granville-Smith, Administratrix of the Estate of Frank O’Hara.

Counterpoint: A COMPLICATED MARRIAGE: MY LIFE WITH CLEMENT GREENBERG, by Janice Van Horne, © 2012 Janice Van Horne. Reprinted by permission of Counterpoint.

Dr. Barbaralee Diamonstein-Spielvogel: INSIDE THE NEW YORK ART WORLD, by Barbaralee Diamonstein-Spielvogel. Rizzoli International Publications, Inc., 1979. Rights granted by copyright holder Dr. Barbaralee Diamonstein-Spielvogel.