Женщины Девятой улицы. Том 2 - Мэри Габриэль

Sadoff, Ira. “Frank O’Hara’s Intimate Fictions.” American Poetry Review 35, no. 6 (November — December 2006).

Sandler, Irving. Abstract Expressionism and the American Experience: A Reevaluation. New York: Hudson Hills, 2009.

Sandler, Irving. The Cedar Bar. New York: Washburn Gallery, January 2009.

Sandler, Irving. “The Club, How the Artists of the New York School Found Their First Audience — Themselves.” ArtForum 4, no. 1 (September 1965).

Sandler, Irving. “Mitchell Paints a Picture.” ArtNews 56, no. 6 (October 1957).

Sandler, Irving. A Sweeper Up After Artists: A Memoir. London: Thames and Hudson, 2003.

Savram, David. Taking It Like a Man: White Masculinity, Masochism and Contemporary American Culture. Princeton, NJ: Princeton University Press, 1998.

Sawin, Martica. Nell Blaine: Her Life and Art. New York: Hudson Hills Press, 1998.

Sawyer, Kenneth B. “The Artist as Collector: Alfonso Ossorio.” Studio International 169, no. 863 (March 1965).

Sawyer, Kenneth B. “The Importance of a Wall: Galleries.” Evergreen Review 2, no. 8 (Spring 1959).

Schapiro, Meyer. “The Liberating Quality of Avant-Garde Art.” ArtNews 56, no. 4 (Summer 1956).

Schapiro, Meyer. Modern Art in the 19th and 20th Centuries: Selected Papers. 1958. Reprint. New York: George Braziller, 1979.

Scharf, Lois. To Work and to Wed: Female Employment, Feminism, and the Great Depression. Westport, CT: Greenwood Press, 1980.

Schjeldahl, Peter. “Tough Love.” The New Yorker (July 15, 2002).

Schloss, Edith. “The Castelli Saga.” Unpublished manuscript, MS no. 1763, Subseries VC, Box 16, Edith Schloss Burckhardt Papers, Columbia University Library.

Schloss, Edith. “The Loft Generation: Intimate Memories of Vanished Art Worlds in New York and Rome.” Manuscript, MS no. 1763, Subseries VC, Box 15, Edith Schloss Burckhardt Papers, Columbia University Library.

Schulze, Franz. “Thomas Hess, 1920–1978.” ArtNews 77, no. 6 (September 1978).

Schuyler, James. “Frank O’Hara: Poet Among Painters.” ArtNews 73, no. 5 (May 1974).

Schuyler, James. “Is There an American Print Revival?” ArtNews 60, no. 9 (January 1962).

Scrivani, George, ed. Collected Writings of Willem de Kooning. New York: Hanuman Books, 1988.

Seiberling, Dorothy. “Jackson Pollock: Is He the Greatest Living Painter in the United States?” Life 27, no. 6 (August 8, 1949).

Seiberling, Dorothy. “Women Artists in Ascendance: Young Group Reflects Lively Virtues of U.S. Painting.” Life 42, no. 19 (May 13, 1957).

Seitz, William. Abstract Expressionist Painting in America. Cambridge, MA: Harvard University Press, 1983.

Seitz, William. “The Rise and Dissolution of the Avant-Garde.” Vogue (September 1, 1963).

Severini, Gino. The Artist and Society. London: The Harvill Press, 1946.

Shaw, Lytle. Frank O’Hara: The Poetics of Coterie. Iowa City: University of Iowa Press, 2006.

Sherwin, Martin J. A World Destroyed: Hiroshima and Its Legacies. Stanford, CA: Stanford University Press, 2003.

Simon, Sidney. “Concerning the Beginnings of the New York School: 1939–1943 (Interviews with Busa, Matta, and Motherwell).” Art International 11, no. 6 (Summer 1967).

Slivka, Rose. “Elaine de Kooning: The Bacchus Paintings.” Arts Magazine 57 (October 1982).

Slivka, Rose. “Willem de Kooning, on His Eighty-Fifth Birthday.” Art Journal 48, no. 3 (Autumn 1989).

Smith, Betty. “Women on the Works Progress Administration/Federal Art Project. New York.” Unpublished graduate school paper, 1973.

Soby, James Thrall. “Interview with Grace Hartigan.” The Saturday Review 9, no. 40 (October 5, 1957).

Soby, James Thrall, Lloyd Goodrich, John I. H. Baur, and Dorothy C. Miller. “The Eastern Seaboard, New York City — Art Capital.” Art in America 42, no. 1 (Winter 1954).

Solomon, Deborah. “Artful Survivor: Helen Frankenthaler Stays Loyal to Abstract Expressionism.” New York Times Magazine, May 14, 1989.

Solomon, Deborah. “In Monet’s Light.” New York Times Magazine, November 24, 1991.

Solomon, Deborah. “Interview with Grace Hartigan.” The Saturday Review 11, no. 40 (October 5, 1957).

Solomon, Deborah. “Interview with Helen Frankenthaler.” Partisan Review 51, no. 4, no. 1 (1984–1985).

Solomon, Deborah. Jackson Pollock: A Biography. New York: Cooper Square Press, 2001.

Solomon, Deborah. “The Lyrical Mastery of Helen Frankenthaler.” Unpublished notes for article, 1989.

Solomon, Deborah. “Open House at the Pollocks.” The New Criterion 6, no. 9 (May 1988).

Sontag, Susan. “Notes on Camp.” Partisan Review 31, no. 4 (Fall 1964).

Stahr, Celia S. “Elaine de Kooning, Portraiture and the Politics of Sexuality.” Genders Online Journal 38 (2003).

Stahr, Celia S. “The Social Relations of Abstract Expressionism: An Alternative History.” PhD dissertation, University of Iowa, 1997.

“Statement by Philip Pavia.” New York Artists Equity Association 55th Anniversary Journal, December 18, 2002.

Stefanelli, Joe. “The Cedar Bar.” New York Artists Equity Association 55th Anniversary Journal, December 18, 2002.

Стайн Гертруда, Войны, которые я видела. New York: Brilliance Books, 1984.

Sterling, Charles. “A Fine ‘David’Reattributed.” The Metropolitan Museum of Art Bulletin 9, no. 5 (January 1951).

Stevens, Mark, and Annalyn Swan. De Kooning: An American Master. New York: Alfred A. Knopf, 2011.

Stevens, Wallace. Collected Poetry and Prose. New York: The Library of America, 1997.

Stevens, Wallace. The Relations between Poetry and Painting. New York: The Museum of Modern Art, 1951.

Stewart, Regina, ed. New York Artists Equity Association 55th Annual Journal, December 18, 2002.

Stone, I. F. The Haunted Fifties. London: The Merlin Press Ltd., 1964.

Stowe, David W. “The Politics of Cafe Society.” The Journal of American History 84, no. 4 (March 1998).

Sweeney, James Johnson. “Five American Painters.” Harper’s Bazaar, no. 2788 (April 1944).

Sweeney, Louise. “Helen Frankenthaler: Painter of the Light Within.” Christian Science Monitor, September 16, 1980.