Женщины Девятой улицы. Том 1 - Мэри Габриэль

Severini, Gino. The Artist and Society. London: The Harvill Press, 1946.

Shaw, Lytle. Frank O’Hara: The Poetics of Coterie. Iowa City: University of Iowa Press, 2006.

Sherwin, Martin J. A World Destroyed: Hiroshima and Its Legacies. Stanford, CA: Stanford University Press, 2003.

Simon, Sidney. «Concerning the Beginnings of the New York School: 1939–1943 (Interviews with Busa, Matta, and Motherwell)». Art International 11, no. 6 (Summer 1967).

Slivka, Rose. «Elaine de Kooning: The Bacchus Paintings». Arts Magazine 57 (October 1982).

Slivka, Rose. «Willem de Kooning, on His Eighty-Fifth Birthday». Art Journal 48, no. 3 (Autumn 1989).

Smith, Betty. «Women on the Works Progress Administration/Federal Art Project. New York». Unpublished graduate school paper, 1973.

Soby, James Thrall. «Interview with Grace Hartigan». The Saturday Review 9, no. 40 (October 5, 1957).

Soby, James Thrall, Lloyd Goodrich, John I. H. Baur, and Dorothy C. Miller. «The Eastern Seaboard, New York City— Art Capital». Art in America 42, no. 1 (Winter 1954).

Solomon, Deborah. «Artful Survivor: Helen Frankenthaler Stays Loyal to Abstract Expressionism». New York Times Magazine, May 14, 1989.

Solomon, Deborah. «In Monet’s Light». New York Times Magazine, November 24, 1991.

Solomon, Deborah. «Interview with Grace Hartigan». The Saturday Review 11, no. 40 (October 5, 1957).

Solomon, Deborah. «Interview with Helen Frankenthaler». Partisan Review 51, no. 4, no. 1 (1984–1985).

Solomon, Deborah. Jackson Pollock: A Biography. New York: Cooper Square Press, 2001.

Solomon, Deborah. «The Lyrical Mastery of Helen Frankenthaler». Unpublished notes for article, 1989.

Solomon, Deborah. «Open House at the Pollocks». The New Criterion 6, no. 9 (May 1988).

Sontag, Susan. «Notes on Camp». Partisan Review 31, no. 4 (Fall 1964).

Stahr, Celia S. «Elaine de Kooning, Portraiture and the Politics of Sexuality». Genders Online Journal 38 (2003).

Stahr, Celia S. «The Social Relations of Abstract Expressionism: An Alternative History». PhD dissertation, University of Iowa, 1997.

«Statement by Philip Pavia». New York Artists Equity Association 55th Anniversary Journal, December 18, 2002.

Stefanelli, Joe. «The Cedar Bar». New York Artists Equity Association 55th Anniversary Journal, December 18, 2002.

Стайн Гертруда, Войны, которые я видела. New York: Brilliance Books, 1984.

Sterling, Charles. «A Fine ‘David’Reattributed». The Metropolitan Museum of Art Bulletin 9, no. 5 (January 1951).

Stevens, Mark, and Annalyn Swan. De Kooning: An American Master. New York: Alfred A. Knopf, 2011.

Stevens, Wallace. Collected Poetry and Prose. New York: The Library of America, 1997.

Stevens, Wallace. The Relations between Poetry and Painting. New York: The Museum of Modern Art, 1951.

Stewart, Regina, ed. New York Artists Equity Association 55th Annual Journal, December 18, 2002.

Stone, I. F. The Haunted Fifties. London: The Merlin Press Ltd., 1964.

Stowe, David W. «The Politics of Cafe Society». The Journal of American History 84, no. 4 (March 1998).

Sweeney, James Johnson. «Five American Painters». Harper’s Bazaar, no. 2788 (April 1944).

Sweeney, Louise. «Helen Frankenthaler: Painter of the Light Within». Christian Science Monitor, September 16, 1980.

Sylvester, David. Interviews with American Artists. London: Pimlico, 2002.

Sylvester, David, Richard Schiff, and Marla Prather. Willem de Kooning Paintings. New Haven, CT: Yale University Press, 1996.

«A Symposium: The State of American Art». Magazine of Art 42, no. 3 (March 1949).

Szarkowski, John, and John Elderfield, eds. «Revisiting the Revisionists: The Modern, Its Critics, and the Cold War». The Museum of Modern Art at Mid-Century at Home and Abroad. New York: The Museum of Modern Art, 1994.

Tabak, May Natalie. But Not for Love. New York: Horizon Press, 1960.

Taylor, John. «An Interview with Elaine de Kooning in Athens». Contemporary Art/Southeast 1, no. 1 (April — May 1977).

Terkel, Studs. Hard Times: An Oral History of the Great Depression. New York: The New Press, 1986.

Tracy, Sara W. Alcoholism in America: From Reconstruction to Prohibition. Baltimore, MD: Johns Hopkins University Press, 2005.

Trilling, Lionel. The Liberal Imagination: Essays on Literature and Society. New York: New York Review of Books, 2008.

Trilling, Lionel. «Sex and Science: The Kinsey Report». Partisan Review 15, no. 4 (April 1948).

Tuchman, Phyllis. «Landscape of Color», Vogue (February 1985).

Tucker, Marcia. Joan Mitchell. New York: The Whitney Museum of American Art, 1974.

«28 Art Awards Listed in Paris; Five Frenchmen, Three from U.S. Among Winners at First Biennial Show». New York Times, Wednesday, October 7, 1959.

Valliere, James T. Lee Krasner and Jackson Pollock’s Legacy. New York: Stony Brook Foundation, 2009.

Van Horne, Janice. A Complicated Marriage: My Life with Clement Greenberg. Berkeley, CA: Counterpoint, 2012.

Varnadoe, Kirk, with Pepe Karmel. Jackson Pollock. New York: Museum of Modern Art, 1998.

«The Vocal Girls». Time 75, no. 18 (May 2, 1960).

Wagner, Anne Middleton. Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O’Keeffe. Berkeley: University of California Press, 1996.

Wakefield, Dan. New York in the Fifties. New York: Houghton Mifflin, 1992.

Wald, Allen M. American Night: The Literary Left in the Era of the Cold War. Chapel Hill: University of North Carolina Press, 2014.

Wallach, Amei. «Lee Krasner’s Triumph». Vogue (November 1983).

Wallach, Amei. «Living Color». New York Newsday, June 5, 1989.

Wallach, Amei. «Retrospective of a Risk-Taker, Works on Paper». Newsday, February 24, 1985.

Ward, John L. American Realist Painting 1945–1980. Ann Arbor, MI: UMI Research Press, 1990.

Weibel, Kathryn. Mirror, Mirror: Images of Women Reflected in Popular Culture. New York: Anchor Books, 1977.