Женщины Девятой улицы. Том 1 - Мэри Габриэль

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Baxandall, Rosalyn, and Linda Gordon, eds. America’s Working Woman: A Documentary History 1600 to the Present. New York: W. W. Norton & Company, 1995.

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Belgrad, Daniel. The Culture of Spontaneity: Improvisation and the Arts in Postwar America. Chicago: The University of Chicago Press, 1998.

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Bergin, Bob. Publisher-hero as Combat Photographer in China, Barney Rosset and China exhibition at Kunming Municipal Museum, Kunming City, Yunan, China, February 20, 2014. Rare Book & Manuscript Library, Butler Library, Columbia University, New York.

Berkson, Bill. «In Living Chaos: Joan Mitchell». ArtForum 27, no. 1 (September 1988).

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Bernstein, Barton J., ed. Towards a New Past: Dissenting Essays in American History. New York: Pantheon Books, 1968.

Bernstock, Judith. Joan Mitchell. New York: Hudson Hills Press, 1988.

Bettelheim, Bruno. «The Study of Man: The Victim’s Image of the Anti-Semite». Commentary, February 1948.

The Billboard: The World’s Foremost Amusement Weekly, December 12, 1942.

Black, David. «Totalitarian Therapy on the Upper West Side». New York, December 15, 1975.

Blanc, Peter. «The Artist and the Atom». Magazine of Art 44, no. 4 (April 1951).

Bledsoe, Jane K. E de K, Elaine de Kooning. Athens: Georgia Museum of Art, University of Georgia, 1992.

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Boll, Deborah, Peter Walch, and Malin Wilson. Albuquerque ’50s. Albuquerque: University of New Mexico Art Museum, September 24, 1989–January 21, 1990.

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Bram, Christopher. Eminent Outlaws: The Gay Writers Who Changed America. New York: Twelve, Hachette Book Group, 2012.

Braudy, Leo. The Frenzy of Renown: Fame and Its History. New York: Oxford University Press, 1986.

Brenson, Michael. «Lee Krasner Pollock Is Dead: Painter of New York School». New York Times, June 21, 1984.

Breslin, James E. B. Mark Rothko: A Biography. Chicago: The University of Chicago Press, 1993.

Bretall, Robert, ed. A Kierkegaard Anthology. Princeton, NJ: Princeton University Press, 1946.

Brogan, D. W. «The Problem of High Culture and Mass Culture». Diogenes 5 (Winter 1954).

Brogan, Hugh. The Penguin History of the United States, 2nd ed. London: Penguin Books, 2001.

Brossard, Chandler, ed. The Scene Before You: A New Approach to American Culture. New York: Rinehart and Co., Inc., 1955.

Broude, Norma, and Mary D. Garrard, eds. The Expanding Discourse: Feminism and Art History. New York: Icon Editions, 1992.

Broyard, Anatole. Kafka Was the Rage: A Greenwich Village Memoir. New York: Vintage Books, Random House, 1997.

Broyard, Anatole. «Portrait of a Hipster». Partisan Review 15, no. 6 (June 1948).

Brozan, Nadine. «The Evening Hours». New York Times, February 22, 1985.

Buck, Pearl S. Of Men and Women. New York: The John Day Company, 1941.

Burckhardt, Rudy. «Long Ago with Willem de Kooning». Art Journal 48, no. 3 (Autumn 1989).

Burke, Edmund. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful. Oxford: Oxford World’s Classics, 2008.

Burnham, Sophy. «Portrait of the Artist as a Woman». New Woman, June 1990.

Butler, Barbara. «New York Letter». Art International 4, no. 23 (1960).

Butler, Hiram Carruthers. «De Kooning and Friends: Downtown in the Fifties». Horizon 24, no. 6 (June 1981).

Butts, Gavin. Between You and Me: Queer Disclosures in the New York Art World, 1948–63. Durham, NC: Duke University Press, 2005.

Calas, Nicolas. Art in the Age of Risk, and Other Essays. New York: Dutton, 1968.